Mistress of the Air is a comic, erotic adventure. My incorrigible Edwardian dominatrix, Lady Sally Rudston-Chichester, travels around Europe in her airship ‘The Corseted Domme’ causing mayhem.
A comic element in the story is the use of funny or suggestive names. The three Russian anarchists, Sophia Testlikova, Dimitri Bollokov and Peter Krapotkin, who feature in one episode, being a good example.
One character’s name was inspired by a British TV programme, ‘Not The Nine O’Clock News’. This was a political satire programme broadcast between 1979 and 1982. It featured a young Rowan Atkinson, later to become famous for Mr Bean and the Black Adder series. The programme always featured a song, usually a parody of a current hit.
It only ran for a few series and its final episode ended with a song called ‘Kinda Lingers’ – “Goodbye is the hardest word to say, so let’s just say Kinda Lingers”. Ha, ha, at the time, in my naïve youth, I didn’t get the joke! I thought, yeah, quite a nice sentiment for the last episode but I didn’t understand why it merited the canned laughter.
It was a couple of years later when I was talking about the programme with a friend and he reminded me of the hilarious song they ended the series on. “You know ‘Kinda Lingers’”. Blank expression, it still hadn’t registered. “You know, Kinda Lingers. Get it. Kinda Lingers… Kina Lingus… Cunnilingus.” Then it suddenly clicked, and I finally got the joke!
So, in homage to the ‘Not The Nine O’Clock News’ song I created a character inspired by it… Kina Linguzh. She’s a Polish-born, lesbian dwarf, who is also an agent of the Prussian Empire’s secret service (yeah, I know! – you’ll have to read the story to find out more).
She gets kidnapped and one scene has a group of characters wandering around the ruins of Pompeii calling “Kina Linguzh…Kina Linguzh….Kina Linguzh!” in a tribute to the song, and my own naïve youth.
Mistress of the Air is a Comic, Steampunk, Erotic Adventure.
Lady Sally Rudston-Chichester owns a brass mine in Zanzibar, a Lapsang Souchong tea plantation in China, a rubber tree farm in Malaysia, trunk loads of corsetry, and the country’s largest collection of antique whips and floggers.
Larger than life, and itching to find new and inventive ways to punish her submissive gentlemen, the Edwardian dominatrix has a vision. Embracing the spirit of the new age of aviation, she embarks on a series of adventures on her own airship, The Corseted Domme, with her transvestite maid, Victoria, her airship pilot, Captain Wyndham, and her automaton sex toy, Borghild.
A select group of submissive gentlemen, consisting of a duke, bishop, lawyer and banker, is invited to join Lady Sally so she can try out her new dastardly devices and sex toys on them. She whips, spanks and punishes her way across the Empires of Europe, dropping off to visit her aristocratic relatives and friends for afternoon tea.
But Lady Sally’s journey is not uneventful. War is threatening to break out and the Ministry of Aviation want to commandeer her airship for the war effort. And when The Corseted Domme has a crash landing, Lady Sally realises there is a stowaway on board intent on sabotaging her airship.
There will be wild escapades, kinky BDSM, dastardly devices, explosions and nice cups of tea.
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Lady Sally orchestrated proceedings, taking the images from the frescoes and reproducing them in a present-day Dionysian orgy of sexual ecstasy. She reproduced the painting of the satyr seducing a maiden by having the judge who had the right amount of body hair for the role, to grope her breasts. The mosaic of a woman crouched over a man, fondling his cock was replicated by her and the dwarf with the men. The fresco of Pan, yet another god of fertility (the Romans liked their fertility gods) was acted out with the banker who was made to strut about as if he had the legs of a goat. The scene of a man performing oral sex on a lady as she reclined on a couch, her legs splayed to offer up her sex to him, was enthusiastically joined by the bishop. The men were made to copy the scenes of homosexual acts, which principally showed men bending over a reclining partner to suck cock.
A series of frescoes depicting the sexual act was re-enacted by Lady Sally. This involved many positions: bent double as the banker took her from behind, reclining on the stone divan with her legs on the duke’s shoulders, lowering herself onto the judge as he lay on the couch, crouched on the floor ‘doggy’ style and many others, as they took turns to enter her. She had several satisfying orgasms in the course of the action, and much spunk was spent by the men during an afternoon of frenzied fucking.
Lady Sally noted, with irritation, that most of the frescoes depicted the men in dominant positions, but that could not be helped if she wanted to recreate the images faithfully, and certainly didn’t detract from her enjoyment.
The dwarf was an enthusiastic participant in the proceedings. She declared that though she may be a lesbian she was not averse to sex with men. Victoria remained fully clothed in her maid’s dress, and had to clean up after them, as was fitting.
Sensitive to the captain’s hesitancy about entering into her sexual games, Lady Sally didn’t involve the captain in the orgy. His role was to represent the fresco of Priapus with the over-sized cock as the god of fertility inspiring them to new levels of depravity. It intrigued her to observe the captain’s reaction, as he was clearly tortured between keeping himself distant from the other submissive men and the desire for intimacy with her. The frustration of his predicament was etched over face, much to Lady Sally’s interest, and amusement.
The entourage was exhausted and sticky with sweat, and other body fluids. They could have done with a relaxing Roman plunge bath, but unfortunately the sauna at Pompeii had not been in use for millennia. Frau Linguzh, complaining she always needed to pee after sex, sneaked out of the stone house to find somewhere secluded. The others got dressed, ready to leave the Roman brothel and its frescoes to have their picnic. By the time they were ready, the dwarf had still not returned. They waited longer, but she still didn’t appear.
“Perhaps, this has been a ploy to give her a chance to escape from you,” suggested Victoria.
“No, I don’t believe so. I’m an excellent judge of character, and I can tell her conversion to my service is sincere. She has been gone too long, and Signore Fellatio did warn us of robbers in this area. I’m concerned for her, I must confess.”
The captain agreed with Lady Sally, there was something wrong. He grabbed the lightning blunderbuss, feeling justified in bringing it with him. The men set off in different directions along the dust-covered streets of Pompeii calling her name, “Kina Linguzh… Kina Linguzh… Kina Linguzh… Kina Linguzh.”
Captain Wyndham’s approach was more focused. He followed the dwarf’s footprints in the dust. He was an experienced tracker, having pursued warriors across the Kenyatta Plain during the Zulu Wars. The tracks led to shrubs behind the former brothel, into which she must have gone to find somewhere private to pee. When the captain inspected the ground there, his concerns were confirmed. There were various prints, only one set of them the distinctive, small feet of the midget. There was evidence of her having been ambushed and dragged away.
The captain called Lady Sally over. The conclusion was inescapable… Frau Linguzh had been kidnapped.
About the author
S. Nano is an author of erotic stories with dark and exotic content in fantasy, paranormal or historical settings, often drawing on the themes of female supremacy, BDSM and fetish but with a seam of quirky humour running through them as well.
His first full-length erotic novel, ‘Adventures in Fetishland’, a BDSM/fetish re-invention of Alice in Wonderland, was published by Xcite Books. His short stories and novellas have been published by Xcite Books, House of Erotica, Forbidden Fiction, Coming Together and Greenwoman Publishing.
His second novel, ‘Mistress Of The Air’ was published by eXcessica on 21st April 2017.
Web site: www.slavenano.co.uk/writing
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